May 15, 2026

Review of ‘Kartavya’: A Lackluster Exploration of Duty and Corruption

Review of 'Kartavya': A Lackluster Exploration of Duty and Corruption

The anticipation surrounding Saif Ali Khan’s latest film, ‘Kartavya’, is palpable among fans eager to see the actor don the badge of a law enforcer. However, the film, directed by Pulkit, fails to rise above the conventional narrative of a lone hero battling societal evils, rendering it a rather uninspiring watch.

Set against the backdrop of a North Indian small town, the story unfolds around Inspector Pawan, played by Khan, who finds himself embroiled in a quest to protect a journalist investigating disturbing allegations of child exploitation linked to a powerful godman, Anand Shri. The film quickly establishes a familiar premise where the stakes are high, yet the storytelling lacks the depth necessary to engage the audience fully.

As the plot progresses, Pawan faces a dual challenge: he must not only keep the journalist safe but also deal with the personal turmoil of his brother Deepak, who has eloped with a girl from a lower caste. This conflict reflects the entrenched social issues in contemporary Indian society, particularly surrounding caste dynamics, but the execution feels superficial. The tension within Pawan’s family is further complicated by his father, Harihar, who chooses to side with a mob intent on committing an honour killing rather than supporting his son.

The film’s portrayal of Pawan’s struggles against systemic corruption and personal dilemmas could have served as a powerful commentary on duty and morality. However, it falls short, often resorting to standard tropes that plague many films of this genre. Pawan’s encounters with a local gang led by enforcers like Harpal and the godman’s henchman, Nirmal, are predictable and lack the thrill needed to captivate the audience.

Visually, ‘Kartavya’ boasts polished production values, yet the narrative fails to infuse life into its characters, making them feel like mere caricatures rather than complex individuals. While the film’s ensemble cast, including talented actors like Yudhvir Ahlawat and Saharsh Kumar Shukla, adds a layer of credibility, their performances are marred by the lack of a compelling script. The dialogues often fall flat, and the character arcs feel rushed, leaving viewers wanting more depth and engagement.

In summary, ‘Kartavya’ attempts to tackle significant themes of justice and morality but ultimately succumbs to the clichés of the genre. While Saif Ali Khan delivers a commendable performance, the film does not transcend its formulaic storytelling, making it a missed opportunity to explore the complexities of duty within a corrupt society. As audiences seek fresh narratives that resonate with current issues in India, ‘Kartavya’ stands as a reminder of the pitfalls of relying too heavily on familiar tropes without offering a new perspective.

Manish Yadav

District Reporter

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